[Click on the image to uncensor it, i.e. to see it as it was originally intended, but beware the naughtiness within…]
A frame grab from Stanley Kubrick’s final film, Eyes Wide Shut. Kubrick died shortly after completing the film, having promised to deliver an R-rated movie (apparently, he watched a bunch of Hollywood’s more sexually explicit films in order to gauge what would be considered acceptable to receive such a rating). The sequence in which Tom Cruise visits a masked orgy was considered to be NC-17 territory, a rating which ostensibly marks something out as unsuitable for children, but which actually decreases its chances at the box office, rejection by self-righteous finger-waggers and unwarranted controversy from a wide variety of spoilsports. However, although MGM surely would have just snipped out the relevant glimpses of humping, they found themselves hidebound by their commitment not to re-edit or cut a frame of Kubrick’s footage. What to do? The simple answer would be to suck it down and release the film unadjusted, take the reduced box office safe in the knowledge that you hadn’t compromised the artistic vision of a man on whose name you’d been happily trading for years. Alternatively, you could take some digital people and graft them onto the film to cover up those dangerous bits of flesh. Very clever – loyal to the exact wording of their commitment to Kubrick, but actually snuffing out the spirit of it in one quick application of polygons. The result can be seen in the image above.
Barbara Creed saw this as an advance notice of the coming age of the synthespian, when human actors would routinely be replaced by digital substitutes. She suggested that as they took over, we might have to change the way we relate to people onscreen, since the virtual actor would have no Unconscious, and thus not be “subject to the same experience as the living star, experiences such as mothering, Oedipal anxiety, hunger, loss, ecstasy, desire, death.” But then, she also predicted that porn stars, already artificially augmented beyond the realms of realism, could be doubled by virtual actors. It all sounded a bit William Gibson to me, and this week’s picture instead made it look as though digital people were just going to show up in films where they weren’t wanted and spoil everyone else’s view.