I’m still away from the usual work routine (and embroiled in a different one), so Spectacular Attractions is still on a bit of a hiatus. To tide you over, because you clearly have nothing better to do (don’t argue – you’re here aren’t you?), I’ve prepared a few weeks’ worth of Picture of the Week (I hope youenjoy the galleries of delightful, garish posters I’ve handpicked for your entertainment) and another set of posts you may have missed from the early days of my blogging experiences. Sometimes, old pieces get buried in the ever-rolling blogosphere, but you can always browse the index if you get the chance to play catch-up.
Metaphors are Attacking Tokyo!: A short(ish) piece on the use of allegory in Ishiro Honda’s seminal monster movie, analysing the special effects and monster suits that seem to convey so much meaning to so many viewers and critics. Is it really just as simple as “Godzilla = Atomic Threat”?
Precious: The racial politics of Precious: Based on the Novel Push by Sapphire are calibrated to get a strong reaction from just about everybody, and for various reasons. Is it just button-pushing issue-of-week posturing, or a truly radical portrayal of race, class and America’s education system?
Vengeance is Mine: Propelled by the grim fascination of watching a ruthless serial killer going about his business, Shohei Imamura’s brutal drama is just as concerned with the legacy of pain and shame he leaves behind for his family to deal with, as demonstrated in this analysis of the film’s closing sequence.
Begone Dull Care: Norman McLaren Randomised: I’ve always enjoyed writing the “Randomised” series of posts, and some of them have been seen by thousands of visitors to the site. Others have gone largely unnoticed, such as this attempt to randomise the frenetic abstract stylings of Norman McLaren’s exhilarating jazz masterpiece.
Elephant: Alan Clarke’s violent series of dispassionate kills is one of the most pummelling, thrilling and extraordinary cinematic experiences you can have. All the violence, none of the context. Relentless, unforgettable.
Pantomiming Chaplin’s CIty Lights: A beauteous highpoint of 20th-century popular culture, City Lights is filled with marvellous physical dexterity, and this article analyses some of the mannerisms, gestures and slapstickery that help to pull off this amazing cinematic feat.
Ohayô / Good Morning: An Introduction to Yasujiro Ozu: If you’ve never seen a film by Yasujiro Ozu, you might need a bit of steering towards a few ideas that will make them easier to understand and cross-reference. This article was written as a digest of some thinking about some of Ozu’s films for some of my second-year students who were encountering him for the first time.
Twentynine Palms: Did I hate Bruno Dumont’s erotic, vicious, rapey road movie? Even after writing this piece about it, I wasn’t sure. Perhaps you can help me decide….