Another “watch this space” announcement for you today. Spectacular Attractions is still committed to keeping an eye on developments on the two Moby Dicks currently in production, and will update you as soon as there’s something to update (my suspicion is that Timur Bekmambetov’s version will get postponed indefinitely, especially if the forthcoming TV version is a popular success), but maybe it’s time to start getting a little bit excited about the upcoming adaptation of Brian Selznick’s graphic children’s book The Invention of Hugo Cabret. Especially now that director Chris Wedge has been replaced by Martin Scorsese, a genuine cinephilic historian who might be able to do something interesting with the Georges Méliès angle. A vision in graphite, Selznick’s book is the tale of a young boy’s meeting with Melies and the automaton that may contain a message from his father. It’s all beautifully drawn, but most enticingly offers a rare opportunity for a blockbuster to tip its hat to Melies’ foundational achievements in film. I blogged about the book a while ago, alongside my own interest in automata and stuff like that.
Now, Variety reports that Martin Scorsese, who has owned the rights to the book since 2007, is signed on to make this his next film, with a script by The Aviator‘s John Logan. This will delay the rest of the stuff on Scorsese’s to-do list, including the Sinatra biopic, the Teddy Roosevelt biopic and the adaptation Shusaku Endo’s Silence, which was sounding pretty interesting with Benicio del Toro in the lead. I’ll be intrigued to find out how they’ll preserve the book’s distinctive aesthetic (without making it look like the Take on Me video), and look forward to the casting sessions for Georges Melies. There can’t be a better choice than Jean Rochefort, surely, but I wouldn’t be surprised if they go with Jean Reno, or maybe Christopher Plummer. And let’s not rule out the possibility that Tom Waits can do a French accent….